In a confused welter of artistic licence, this is the classical music biopic which makes 'Song to Remember'look like a masterpiece. Bogarde succeeds in diminishing the reputation of the musical colossus who spanned European music for most of the 19th Century. The absurdities of the plot, the sequoia-like quality of the acting and the prevalence of historical,musical and linguistic anachronisms combine to elevate this offering to the status of an A1 turkey.How a pianist of the stature of Bolet came to be mixed up in this fiasco can only be guessed at. The characterisation of Liszt fails to convey even a minute impression of his magnetic personality and the overwhelming effect that he had on not only his audiences, but also his pianistic rivals.Clara Schumann herself said that 'we toil over that which Liszt reads at sight!' Whilst the emphasis seems to focus on his romantic prowess,rather than his status as the greatest pianist of the century or,arguably, of all time, one feels,nevertheless, that this was an opportunity lost.
A down-and-out metalhead resurrects his dead bandmates in order to win back his ex-girlfriend and secure a record contract, but to defeat an army of the undead, he must learn to stop living in the past.
Explores Mike Tyson's rise as a boxing champion, his personal struggles including incarceration, substance abuse, and controversies, and his eventual redemption looking at his polarizing life through the lens of his growth and maturity.
Pat Tate travels to Ibiza, Spain to seek revenge and track down criminals who murdered his friend. During his journey, Tate is caught in a deadly conflict involving arms traffickers, mercenaries and the CIA.
