This film marks the directorial debut of Robert Benayoun. An artist (Richard Leduc) attending a party smokes some dope and develops the ability to see into the future and the past. He returns to his apartment where he sees the vision of a woman who had lived there 30 years ago. A friend tries to convince him it is his heightened sensitively as an artist that allows for the newfound abilities, but he soon has psychedelic hallucinations and his abilities increase with time. Stop-motion photography is effectively used in his sequence of visual experiences where the people exist but not the city in this metaphysical story.
A struggling single mom's path crosses with a former prisoner seeking redemption, leading them to discover strength in their unlikely connection.
The film is billed as a Southern-fried siege, with shades of Dog Day Afternoon and Die Hard, which centers on Bailey, an exotic dancer with big dreams. She and her Army vet husband Tim are fed up with their lives of barely getting by in small-town Arkansa