Erstwhile Special Forces operative Doc Alexander is asked to broker a truce with the Mexican drug cartel in secrecy. When Oklahoma Governor Richard Jeffs celebrates the execution of a high-ranking cartel member on TV, his Chief of Staff and Doc inform him about the peace he just ended. But it’s too late, as Cuco, the cartel’s hatchet man, has set his vengeful sights on Doc’s daughter Dixie. They don’t make ’em like Little Dixie anymore: honed to the bone, all gestures and actions, only a few words. Too many genre films these days try to create meaning by piling ideas and intentions on their narrative frames. John Swab, as always, works the other way around. Meaning and depth come from taking away whatever is superfluous – by reducing the plot to its bare essence and the characters to their core trades and tricks. Ultimately, Little Dixie feels like the pulp fiction version of a Giacometti sculpture, all fearful symmetries and mirror images. A gem of crime cinema at its purest and most philosophical, proudly featuring noir’s new darling, Frank Grillo.
Doug is an awkward Florida drug addict. Divorced and alone, he shares custody of his young daughter with his ex. Doug's reeling from losing his job at a local strip club, where he takes care of the fish in the aquarium. Things are beyond
A young boy emerges from a coma after a fall down an abandoned mine shaft. His family is confronted by dark, threatening spirits and the possibility that the child in their home might no longer be their son.
Carter must prove to his mom that he can pay rent or he's out on the street. But when his boss dumps a list of impossible tasks on him, his fortitude, character, and aversion to wise-cracking teens is tested in this coming-of-age comedy.
