Like Fritz Lang, David Fincher or Bong Joon Ho before him, talented debut filmmaker Lado Kvataniya uses the concept of police detective vs serial killer for an excitingly stylised, macabre and haunting narrative, that ultimately revolves around the identity of an era in this case, the late 1980s Soviet Union. With Glasnost and the end of communist rule, the West also learned of the (unsurprising) fact that there were serial killers in Russia too – the most notorious case probably that of Andrei Chikatilo, nicknamed the Rostov Ripper, or the Russian Hannibal Lecter. Based on these and many other sources, Kvataniya and screenwriter Olga Gorodetskaya constructed an immersive psychological puzzle, jumping back and forth in time, to reveal ever new-possible motives for the actions of all the protagonists. It all starts in 1990, when Detective Issa Davydov is celebrating his promotion and receives a call, reporting a crime that looks precisely like the ones of the serial killer that he famously captured some years before ...
Doug is an awkward Florida drug addict. Divorced and alone, he shares custody of his young daughter with his ex. Doug's reeling from losing his job at a local strip club, where he takes care of the fish in the aquarium. Things are beyond
A young boy emerges from a coma after a fall down an abandoned mine shaft. His family is confronted by dark, threatening spirits and the possibility that the child in their home might no longer be their son.
Carter must prove to his mom that he can pay rent or he's out on the street. But when his boss dumps a list of impossible tasks on him, his fortitude, character, and aversion to wise-cracking teens is tested in this coming-of-age comedy.
