Like Fritz Lang, David Fincher or Bong Joon Ho before him, talented debut filmmaker Lado Kvataniya uses the concept of police detective vs serial killer for an excitingly stylised, macabre and haunting narrative, that ultimately revolves around the identity of an era: in this case, the late 1980s Soviet Union. With Glasnost and the end of communist rule, the West also learned of the (unsurprising) fact that there were serial killers in Russia too – the most notorious case probably that of Andrei Chikatilo, nicknamed the Rostov Ripper, or the Russian Hannibal Lecter. Based on these and many other sources, Kvataniya and screenwriter Olga Gorodetskaya constructed an immersive psychological puzzle, jumping back and forth in time, to reveal ever new-possible motives for the actions of all the protagonists. It all starts in 1990, when Detective Issa Davydov is celebrating his promotion and receives a call, reporting a crime that looks precisely like the ones of the serial killer that he famously captured some years before ...
My name is Sofia. I’m 14 years old and I’m lost. My mother vanished inside the boarding school where she works, and my father just tried to commit suicide under strange circumstances. Next to him, an Ouija board. I used it during a terrifying seance, and
The story is said to follow a pair of loner college undergrads, Jack and Montgomery, who order a take-out pie, but accidentally take a homemade drug that turns a two-floor journey downstairs into a “mind-bendingly transformative quest.”
On the verge of losing everything, veteran sprinter Gu Young is getting one last opportunity at redemption, including a chance to re-kindle the love of his life.
