It is a great film by a great director.Kira Muratova has never been given her due in the Soviet and post-Soviet Russia.In the Long Good Bye she depicts a seemingly banal story of a jealous and possessive mother (brilliantly acted by Zinaida Sharko) and her poor aloof and lonely son (the only cinematic role by the talented O. Vladimirsky). The story - which is nothing extraordinary in itself - grows into the wonderful and frightening analysis of alienation between genders and generations on the background of the even more frighteningly bleak and dehumanized Soviet reality.Kira Muratova shows the tiny details of everyday Soviet life,and, again , banal as they are ,they are a hair-raising horror.The dialogue is deliberately laconic and void of any sense, showing the ever-growing people's inability to communicate and understand each other.The sound track ( by another under-estimated talent, Oleg Karavaichuk)adds to the atmosphere of hopeless and meaningless existence.Of course,Sasha (the name of the protagonist),will leave his despotic ( but loving!) mother sooner or later, but where for (c)
My name is Sofia. I’m 14 years old and I’m lost. My mother vanished inside the boarding school where she works, and my father just tried to commit suicide under strange circumstances. Next to him, an Ouija board. I used it during a terrifying seance, and
The story is said to follow a pair of loner college undergrads, Jack and Montgomery, who order a take-out pie, but accidentally take a homemade drug that turns a two-floor journey downstairs into a “mind-bendingly transformative quest.”
On the verge of losing everything, veteran sprinter Gu Young is getting one last opportunity at redemption, including a chance to re-kindle the love of his life.
