In 1970 when nearly all children with cancer die, an unconventional and brilliant oncologist breaks all the rules in an effort to revolutionize treatment methods and to provide housing and support to families of sick children.
Taratoa Stappard’s brooding debut feature plunges us into the dour moors of 1859 North Yorkshire, where the British Empire’s reach casts long and twisted shadows. Mary Stevens (Ariāna Osborne), a young Māori teacher from Aotearoa (New Zealand), arrives in
