A thrilling physical journey that allows an approach to the darkness, where it is scary to look. It appeals to the viewer's civil responsibility and forces them to face the limits of their own solidarity.
Taratoa Stappard’s brooding debut feature plunges us into the dour moors of 1859 North Yorkshire, where the British Empire’s reach casts long and twisted shadows. Mary Stevens (Ariāna Osborne), a young Māori teacher from Aotearoa (New Zealand), arrives in
